Monday, 31 October 2011

Bajrang Ban

Nishchai prem pratit te, vinai karen sanman
Tehi ki karja sakal shubh siddh karai Hanuman,

Jai Hanumant sant hitkari
suni lijai Prabhu arja hamari.
Jan ke kaj vilamb na kijai,
atur dauri maha sukh dijai.
Jaise kudi sindhu vahi para,
surasa badan paithi vistara.
Age jai Lankini roka,
marehu lat gai sur loka.
Jai Vibhishan ko sukh dinha
Sita nirakhi param pad linha
Bag ujari sindhu mah bora,
ati atur yam katar tora
Akshai kumar ko mar sanhara,
lum lapet Lanka ko jara.
Lah saman Lanka jar gai
Jai jai dhvani surpur men bhai.
Ab vilamb kehi karan svami,
kripa karahu ur antaryarmi
Jai jai Lakshman pran ke data,
atur hoi dukh karahu nipata.
Jai Girdhar jai jai sukh sagar,
sur samuh samarth bhat nagar.
Om Hanu Hanu Hanu Hanumant hathile,
bairihi maru vajra ki kile.
Gada Vajra lai bairihi maro,
Maharaj Prabhu das ubaro.
Omkar hunkar Mahavira dhavo,
Vajra gada Hanu vilamb na lavo.
Om Hrim Hrim Hrim Hanumant kapisa,
Om hun hun hun ari ur shisha.
Satya hihu Hari shapath pai kai,
Ramdut dharu maru dhai kai.
Jai jai jai Hanumant agadha,
dukh pavat jan kehi apradha.
Puja jap tap nem uchara
nahin janat haun das tumhara.
Ban upvan mag, gin grah mahin,
tumhare bal ham darpat nahin.
Panya paraun kar jori manavaun,
yah avsar ab kehi gohravau.
Uth uth chal tohi Ram dohai,
panya paraun kar jori manai.
Om chan chan chan chan chapal chalanta,
Om Hanu Hanu Hanu Hanu Hanumanta.
Om han han hank det kapi chanchal,
Om san san sahami parane khaldal.
Inhain maru tohi shapath Ram ki
Rakhu Nath maryada nam ki
Janak suta Hari das kahavo,
taki shapath vilamb na lavo.
Jai iai jai dhuni hot akasha
sumirat hot dusah dukh nasha.
Sharan sharan kar jori manavaun
yah avsar kehi gahara baun.
Jai Anjani Kumar balvanta,
Shankar suvan vir Hanumanta.
Badan karal kal kul ghalak
Ram sahai sada prati palak.
Bhut pret pishach nishachar
Agni vaital kal maro mar.
Apne jan ko turat ubaro,
sumirat hoi Anand hamaro.
Yah vajrang ban jehi mare,
tahi kaho phir kaun ubare.
Path kare Bajrang ban ki,
Hanumat raksha karai pran ki.
Yah Bajrang ban jo ja pai,
Tahe te bhut pret sab kanpe.
Dhup dei aru japai hamesha,
Take tan nahin rahai kalesha.

Doha
Prom priti dhari kapi bhajai
sada dharai ur dhyan
Tehi ke karaj sakal shub,
siddh karai Hanuman.


SANKAT MOCHAN - HANUMAN AASHTAK

A PRAYER TO HANUMANJI IN EIGHT VERSES
Baala samai ravi bhaksha liyo, Taba teenahu loka bhayo andhiyaaro
Taahi so traasa bhayo jaga-ko, Yaha sankata kaahu so jaata na taaro
Dewan-aani kari binatee, Taba chaari diyo ravi kashta niwaaro
Ko nahi jaanata hai jaga may, kapi sankat mochan naam tihaaro

Baali ki traasa kapeesa basai giri jaata mahaa prabhu pantha nihaaro
Chownkee maha muni sraapa diyo, taba chaahiyay kowna bichaar bichaaro
Lai dwija roopa liwaaya mahaa, prabhu so tuma daasa kay shoka niwaaro
Ko nahi jaanata hai jaga may kapi sankat mochan naam tihaaro

Angad kay sanga layna gayay, siya khoja kapisha yaha baina uchaaro
Jeewata-na bachihow hum-so, jubina sudhi laayi-ihaa paga dhaaro
Hayri thaki tatta sindhu sabai, taba laayi siyaa sudhi praana ubaaro
Ko nahi jaanata hai jaga may kapi sankat mochan naam tihaaro

Rawana traasa-dayi siya ko, saba raakshashi so kahi shoka nivaaro
Taahi samaya hanumana mahaa prabhu, jaaya mahaaraj nicharamaaro
Chaahita-siya ashoka so-aagi, soo-dai prabhu mudrika soka niwaaro
Ko nahi jaanata hai jaga may kapi sankat mochan naam tihaaro

Baanlagyo ura Laksmana kay, taba praana tajay suta rawana maaro
Lai-graha vaidya sushen sameta, tabahi giri drona su beera ubaaro
Aani sanjeewana haatha dayay, taba lakshkmana kay tuma praana ubaaro
Ko nahi jaanata hai jaga may kapi sankat mochan naam tihaaro

Rawana juddha ajaana kiyo, taba naaga ki phaasa sabai sira daaro
Sri Raghunatha sameta sabai, dala-moha bhayo yaha sankat bhaaro
Aani khagesha tabai hanumana-ju, bandhana kaati sutraasa niwaaro
Ko nahi jaanata hai jaga may kapi sankat mochan naam tihaaro

Bandhu sameta jabai–ahirawana, lay raghunatha pataala sidhaaro
Devihi puji bhali vidhi, so-bali daywu sabai mili mantra vichaaro
Jaayi sahaayi bhayo tabahi, ahi-rawana sainya samet sanghaaro
Ko nahi jaanata hai jaga may kapi sankat mochan naam tihaaro

Kaaja kiyay bara daywana kay, tuma beera mahaa prabhu dekhi bichaaro
Kowna so sankata mora gariba, ko-jo tuuma so nahin jaata hai taaro
Baygi haro hanumana maha prabhu, so-kachu sankat hoya hamaaro
Ko nahi jaanata hai jaga may kapi sankat mochan naam tihaaro

Laal Deha Laalee Lasay, Aru Dhari Laala Langoora
Bajra Deha Daanawa Dalana, Jai Jai Jai kapi Soora

SIIYAA PATI RAMACHANDRA KI JAI
PAWANA SUUTAH HANUMANA KI JAI
UMA PATI MAHADEO KI JAI

Aarti Bajrangbali Ki

Aarti Keejai Hanuman Lalla Ki, Dushtdalan Raghunath Kala Ki
Jake bal se girivar Kanpai, Rogdosh Bhaye nikat na Janke
Anjani putra maha baldahi, Santan ke prabhu sada sahai
De veera Raghunath pathaye, Lanka jari Siya sudhi laye
Lanka so kot samudra si khai. Jat Pavansut var na lai
Lanka jari asur sab mare, Siyaramji ke kaaj sanvare
Lakshman murchit pare dharni pai, Aani Sanjivan pran uvare
Paithi patal tori yamkare, Ahiravan ke bhuja ukhare
Bhahe bhuja sub asurdal mare, Dahine bhuja santjan tare
Sur nar munijan aarti utare, Jai Jai Jai Hanumanji uchare
Kanchan thar kapur lau chhai, Aarti karat Anjani mai
Jo Hanumanji ke aarti gavai, So vaikunt amarpad pavai
Lanka vidhvans kiye Raghrahi, Tulsidas prabhu kirti gahi.

Saturday, 29 October 2011

Maha Shivaratri - The Night of Shiva

Lord Shiva



Sri Maha Shivaratri means "The Night of Shiva". The ceremonies take place chiefly at night. This is a festival observed in honor of Lord Shiva. Shiva was married to Parvati on this day. This is the night when Shiva is said to have performed the Tandava or the dance of primordial creation, preservation and destruction.
People repeat the Panchakshara Mantra as it is said he who utters the Names of Shiva during Shivaratri, with perfect devotion and concentration, is freed from all sins. He reaches the abode of Shiva and lives there happily. He is liberated from the wheel of births and deaths. Many pilgrims flock to the places where there are Shiva temples.

Legends behind Shivaratri
Once Lord Vishnu and Lord Bramha argued over each other’s prowess. However, Lord Shiva challenged both of them. He appeared as a flaming Linga and challenged the duo to measure the gigantic Linga (phallic symbol of Lord Shiva). Lord Bramha, who took the form of a swan, and Lord Vishnu who became a boar and went to Netherland, were both unable to measure the Shivlinga. Then Lord Shiva came out of the Linga and declared himself the most powerful. Maha Shivratri therefore means the grand night of Shiva. The devotees of Shiva fast during this day and pray to the lord throughout the night. This legend goes to prove the supremacy of Mahadev over other Hindu Gods.
King Daksha, opposed Sati's marriage with Shiva. At a yagnya (holy sacrifice) the king ignored Shiva’s presence and thereby insulted the latter publicly. Sati was so angered by this that she jumped into the sacrificial fire and ended her life. Lord Shiva unleashed his fury at the death of his wife by performing the violent dance, Taandav. He wiped out Daksha’s kingdom, undertook rigorous penance and retired to the Himalayas. The Gods, who feared that the severity of Shiva’s penance might bring an end to the world, revived Sati in the new avatar of Parvati. Shiva-Parvati married and this reunion is celebrated on Maha Shivratri. 
Significance of Jyotirlinga: The Puranas vociferously sing the praises of the greatness of the Jyotirlingas. By reciting the name of this, one can eliminate all the sins. The Sadhaka becomes calm, chaste and pure. He becomes illuminated and enlightened with supreme and divine knowledge. The names mentioned for the benefits of all:
SAURASHTRA SOMNATHAM CHA SHRISHAILE MALLIKARJUNAM ||
UJJAINYAM MAHAKALOMKARE MAMMALESHWARAM ||
PARLYAM VAIJNATHAM CHA DAKINYAM BHEEM SHANKARAM ||
SETU BANDHE TU RAMESHAM NAGESHAM DARUKA VANE ||
VARANASYA TU VISHWESHAM TRIBAKAM GAUTAMITATE ||
HIMALAYE TU KEDARAM GHURMESHAM CHA SHIVALAYE ||
AETANI JYOTIRLINGANI SAYAM PRATAHA PATHENNARAHA ||
SAPTA JANMA KRITAM PAPAM SMARANEN VINASHYATI ||
One who recites these 12 names regularly in the morning and evening he washes all the sins committed in the previous 7 births and attains all the powers and Siddhis. 
Cremation ground:
Shiva sitting in the cremation ground signifies that He is the controller of death in the physical world.
Tiger skin:
A tiger skin symbolizes potential energy.
Three eyes:
Lord Shiva, also called Tryambaka Deva, is depicted as having three eyes: the sun is His right eye, the moon the left eye and fire the third eye.
Kundalas (two ear rings):
Two Kundalas, Alakshya and Niranjan in the ears of the Lord symbolize the Shiva and Shakti (male and female) or Ardha-Nariswara principle of creation.
A snake (Vasuki Naga):
The snake is shown curled three times around the neck of the Lord and is looking towards His right side. The three coils of the snake symbolize the past, present and future - time in cycles.
Ganga:
Ganga, symbolically represented on the head of the Lord by a female (Mother Ganga) with a jet of water emanating from her mouth and falling on the ground, signifies that the Lord destroys sin, removes ignorance, and bestows knowledge, purity and peace on the devotees.
Trident (Trisula):
A three-pronged trident shown adjacent to the Lord symbolizes His three fundamental powers (shakti) of will (iccha), action (kriya) and knowledge (jnana).
Damaru (drum): Damaru symbolizes the two utterly dissimilar states of existence, unmanifest and manifest.
The unclad body covered with ashes:
The unclad body of Lord Shiva covered the ashes signify that Shiva is the source of the entire universe which emanates from Him, but He transcends the physical phenomena and is not affected by it.
Half-open eyes:
When the Lord opens His eyes, a new cycle of creation emerges and when He closes them, the universe dissolves for creation of the next cycle. The half-open eyes convey the idea that creation is going through cyclic process, with no beginning no end.
Varda Mudra:
Lord Shiva's right hand is shown in a boon- bestowing and blessing pose, which annihilates evil, grants boons, bestows grace, destroys ignorance, and awakens wisdom in His devotees.

Shiv Ji

Saturday, 15 October 2011

About Karva Chauth Festival


Karwa Chauth is a popular fasting in Hinduism and is mainly observed in North India. It is performed by a married woman for ensuring wedded bliss and wishing long life for their husband and children. The fast starts before sunrise and ends after worshipping the moon. A married woman who observes this vrat is called ‘Saubhagyavati’ (joyous and happy state of wifehood).. Today, the fast is seen as a symbol of love. Karva Chauth is of great importance for married Hindu women but the festival is seen as a big occasion for women undertaking their first Karva Chauth fast after marriage. A newly married woman is given utmost importance by relatives and immediate family members when she observes her first fast for the long life of her husband. She is showered with blessings of blissful married life and loads of Karva Chauth gifts especially by her mother-in-law.
Karwa Chauth is a fast undertaken by married Hindu women who offer prayers seeking the welfare, prosperity, well-being, and longevity of their husbands. It is said to have an extraordinary observance rate among married Hindu women. Following a bath early in the morning, well before dawn, the woman adorns new clothes and partakes of a meal of very select grains and fruit. For the remainder of the day, the woman is bound to abstain from food and even water, though the more strict rules of observance are not always kept. In the text-book version of this fast, various items including a karwa, an earthen pot with a spout, are collected and worship is offered to Siva and Parvati.
Rituals  : It is celebrated on the chaturthi tithi after the full Moon in the month of kartik in the Hindu calendar. According to the religious scriptures like Dharma sindhu, Nirnay sindhu and other shastra that governs rules of when to observe festival says, “Karwa Chauth to be observed at moonrise (chandrodaya vyapini) and poorvaviddha, best if its tritiya viddha. If visible during both days take the first one, if not visible on both days then take the second one”.
Legends of Karwa Chauth :
  • Queen Veeravati - Long time ago, there lived a beautiful girl by the name of Veeravati. She was the only sister of her seven loving brothers, who was married to a king. On the occasion of the first Karva Chauth after her marriage, she went to her parents' house. After sunrise, she observed a strict fast. However, the queen couldn't stand the rigors of fasting and was desperately waiting for the moon to rise. The seven brothers, who loved her dearly, were very disturbed watching the distress of their sister and decided to end her fast by deceiving her. Then the brothers reflected a mirror through Pipal tree leaves. The sister, taken it as moonrise, broke the fast and took food. However, the moment the queen ate her dinner, she received the news that her husband, the king, was seriously ill. She did not keep the fast properly. When Veeravati begged forgiveness, Goddess Parvati granted that her husband would revive only when she completes her fast under strict conditions. The queen observed the fast and thus revived the life of her husband
  • There is the story of the Satyavan and Savitri. When Lord Yama, came to procure Satyavan's soul, Savitri begged him to grant him life. When he refused, she stopped eating and drinking and Yamraj finally relented. He granted her, her husband's life.
  • According to another legend, a woman named Karva was deeply devoted to her husband. One day while bathing, he was caught by a crocodile. Karva came running and bound the crocodile with a cotton yarn. She then went to Yama, the Lord of the death, and requested him to send the offending crocodile to hell. When Yama refused, she threatened to curse him. Afraid of the power of a devoted wife, Yama readily accepted and sent the crocodile to Yamalok or hell, and blessed Karva's husband with long life. To this day, Karva Chauth is celebrated with great faith and belief.
  • Mahabarata - The earliest reference of a Karva Chauth can be found in the great epic of Mahabharata. As per Mahabharata, Arjun, a supreme warrior and one of the Pandavas, went to the Nilgiri Hills to offer his prayers and worship the gods. Draupadi, wife of the Pandavas, was accompanying him. On the way, Draupadi was struck with fear believing that she was alone in the forest with no one to protect her. As she treated Lord Krishna as her Brother, she invoked him to appear before her and help her out of this grave situation. Lord Krishna reminded her that on an earlier occasion, when Goddess Parvati had sought Lord Shivas guidance under similar circumstances, she had been advised to observe the fast of Karva Chauth. Draupadi followed the instructions and observed the fast with all its rituals. Consequently, the Pandavas were able to overcome their problems. On this day, fasting women listen to Karva Chauth legends with rapt attention.
     
How to do Karwa Chauth Vrat :
A Day Before: The pooja preparations start a day in advance. There is huge excitement a day before the festival as women make elaborate preparations to dress up elaborately for the occasion. The Married women buy bangles, bindis, apply mehndi (Hena tattos) on their hand and feets
Puja Thali : Nicely decorated karva chauth thali has its own role in your karva chauth puja. it contains items like sacred water, dry fruits like almonds, pista, oil, vermillion, earthen clay pots, and diyas along with variety of sweets in katoris. Th art of creating attractive thalis for puja also contains ritualistic decoration like rangoli and alpana. You can also prepare your puja thali with floral designs using flowers, leaves, color and multicolored pulses.
Simple Way :- The simple way to fast on the day is to wake up early have a bath, offer daily prayers and consume some food before sunrise. In the evening, pray to Goddess Parvati, wait for the moonrise. Have a look at the moon and enjoy a good dinner with husband and family. Remember, all rituals are meant for the satisfaction of the ego, Gods don’t need rituals. Santana Dharma teaches to get over all rituals and understand the Brahman – the Supreme Force present in you and in everything
Traditional Way :- The traditional way contains several steps as follows.
On the day, married women wake up before sunrise and take bath and offer their usual prayers. They then consume food. Foods consumed on the day are those which can help in maintaining the fluid level of the body - milk, fruits, juice, tea or coffee. Freshly prepared breakfast like puri and aloo is also consumed. Non-vegetarian food is avoided on the day. No food is consumed after sunrise.
Women spend the day visiting friends and relatives. Many make use of the day to apply ‘henna’ on their palms and feet. The women dress in beautiful saris and other traditional garments. Working women head to work or take leave on the day.
An important ritual on the day is the ‘baya’ send by the mothers for their daughters. The Baya (gift to the mother-in-law) usually consist of mathris, puas, halwa, clothes and some small amount of cash. This ritual and the items vary from region to region but in most places a ‘baya’ is send by mothers to their daughters.
The most important part of the ritual is the Karva, an earthen pot with an outlet on the side and open from the top with a lid. If Karva is not available anything any utensil resembling Karva is used.
The preparation for the puja starts early evening mostly by 1700 hrs. The room for puja depends on the number of people invited. The puja place is decorated with ‘kharia matti.’ A ‘chowk’ is decorated on the floor and atop it a seep chowk is decorated with ‘aipun.’ The chowk is placed against the wall and on a decorated ‘patta,’ Goddess Parvati is installed. This is the traditional form of decorating the puja room for Karva Chauth.
A simple method is to install the picture or an idol of Goddess Parvati in the usual Puja room or at the designated place.
An hour before moonrise those who have undertaken the vrat or participating in the puja gather in the puja room.
The karva is decorated with kharia, aipun and roli. A red thread is tied around the neck of the karva. The karva is filled with water (a little) and seven broken pieces of pua. The thali consists of puas, puris, dry fruits, water, halwa and cash. The thali is kept over the karva. The items on the thali vary from region to region and also depend on what the person performing puja likes to have on it. Now each woman does the puja. This ritual is known as mansana.
Women dress neatly and colorfully for the puja and apply sindhoor on the maang. The puja is quite simple. First, the person performing the puja applies a roli teeka or sindhur on the idol or forehead of Goddess Parvati. Then she dips the third finger of the right hand in water and sprinkles it with the help of thumb three times on the deity. The same ritual is repeated with aipun and roli. Finally, rice is showered on the deity and a little rice is kept in the hand. All the participating women can do this puja.
One woman narrates the story of Karwa Chauth and others listen with the rice in the hand.
At the end of the story, each woman exchanges her karva with her friend. The woman giving the karva says’ O Suhagan take my karva.’ The one receiving says O Suhagan give your Karva.’ The roles are then reversed.
After this each woman present perform the baya manasana. The woman takes rice in the left hand and adds little water to it. The edge of the ‘pallu’ is taken in the right hand the index finger is dipped in the left hand. Both the hands are taken around the karva and the water is poured on the side of the karva. An elderly woman chants the mantra. The whole ritual is repeated a second time without the mantra.
Then when the moon is sighted, the reflection of the moon is seen in the water in the puja thali or through a sieve. The woman holds a lamp in the left and offers water to the moon – pouring water on the ground seven times and also throwing seven broken pieces of freshly broken puas.
The fast is broken by eating a puja broken into ten pieces and by drinking water in between.
This year (2012) is on 3rd November, 2012 has a great meaning. 

Wednesday, 12 October 2011

Hapy Diwali


Diwali Mahalaxmi Mantra


Laxmi Puja, or the worship of the goddess of prosperity and wealth, is the main event on Diwali in North and West India. It is believed that Goddess Laxmi visit everyone during Diwali and brings peace and prosperity to all.
It is s extremely important to keep the house spotlessly clean and pure on Diwali. Goddess Lakshmi likes cleanliness, and she will visit the cleanest house first. This is also the reason why the broom is worshipped on this day with offerings of haldi and kumkum (turmeric and vermilion). Lamps are lit in the evening to welcome the goddess. They are believed to light up Her path.


Step by Step Diwali Pujan / Laxmi Puja / Lakshmi Pooja:
In Diwali pujan or Laxmi pooja  mainly Lord Ganesha and Goddess Laxmi in her three forms are worshipped.
 Lord Ganesha -is worshipped at the beginning of every auspicious act as Vighnaharta; Goddess Lakshmi - is worshipped in her three forms - Mahalakshmi (the goddess of wealth and money), Mahasaraswati (the goddess of books and learning), and Mahakali; Kuber (the treasurer of the gods) is also worshipped.
  • On a raised platform spread a new cloth.
  • Place a handful of grains in the centre and, on this, place a kalash, lotta (pitcher). Fill three-fourth of the kalash with water and place a betel nut, a flower, a coin, and some rice grains in it. Arrange five kinds of leaves or mango leaves in the kalash .
  • Place a small dish on the kalash and fill it with rice grains. Draw a lotus with turmeric powder ( haldi ) over the rice grains and place the idol of goddess Lakshmi over it, along with coins.
  • In front of the kalash , on the right (South-West direction), place the idol of Ganesha. Also place ink and books related to your business or occupation on the platform.
  • Light a deepak (lamp) and the Agarbatti (incense sticks) begin the puja by offering haldi, kumkum , and flowers to the platform on which the kalash is placed.
  • Sprinkle this water on all puja utensils to purify them.
  • Make  a Panchamitra   with 5 ingredients of milk, curd, ghee(clarified butter), sugar & Honey.
  • Start with Ganesh Pujan (Ganeshji are a must for Diwali pujan. Ganeshji should be  worshipped in all pujas before any other god or goddess. He is the Lord of Wisdom and the remover of obstacles.) by reciting Ganesh Mantras and Ganesh aarti. Offer a garland  to the god. Offer flowers and make an offering of sweets, coconut and fruits.
  • Now invoke goddess Laxmi by reciting the Laxmi mantras.Then offer the flowers to the idol.
  • Place the idol of Lakshmi in a plate and bathe it with water, panchamrit and then with water containing some gold ornament or a pearl. Wipe the idol clean and place it back on the kalash . Alternately, you can just sprinkle water and panchamrit on the idol with a flower.
  • Offer sandal paste, haldi, kumkum, to the goddess. Offer a garland  to the goddess. Offer flowers and make an offering of sweets, coconut and fruits.
  • Then worship the ink and business books. Open the first page of each book and write '' Shubha Labh '' on it and draw a Swastika in the clockwise direction.
  • Wash all your gold and silver coins with water, panchamrit and then with water
  • Make an offering of puffed rice and batasha to the Gods.
  • Finally, perform the aarti for goddess Laxmi and the universal aarti of "Om Jai Jagdish Hare..".
  • At the end distribute the prasad to all members present and the have some for yourself.
  • Now light the lamps and candles all around the house. No corner of the house should be left in darkness. (Note : Donot light the diyas before puja.)
  •  

Lakshmi Pooja


Lakshmi was the daughter of the sage Bhrigu and took refuge in the ocean of milk when the gods were sent into exile. Lakshmi was reborn during the Churning of the Ocean. As soon as the gods saw Lakshmi, they all fell in love with her beauty. Shiva claimed Lakshmi as his wife, but since he had already taken the Moon, her hand was given to Vishnu, whom Lakshmi herself preferred.

Lakshmi is the goddess of light, beauty, good fortune and wealth. While Laxmi is generally worshiped to achieve success, she does not reside long with anyone who is lazy or desire her only as wealth.

Steps of Lakshmi Pooja
Spread a new cloth on a raised platform: Place a handful of grains in the center and, on this, place a kalash (pitcher) made of gold, silver, copper, or terracotta. Fill three-fourth of the kalash with water and place a betel nut, a flower, a coin, and some rice grains in it. Arrange five kinds of leaves or mango leaves in the kalash. Place a small dish on the kalash and fill it with rice grains. Draw a lotus with turmeric powder ( haldi ) over the rice grains and place the idol of goddess Lakshmi over it, along with coins.

Place the idol of Ganesha: In front of the kalash, on the right (South-West direction), place the idol of Ganesha. Also place ink and books related to your business or occupation on the platform. Light a lamp and begin the puja by offering haldi, kumkum, and flowers to the platform on which the kalash is placed. Then offer haldi, kumkum, and flowers to the water that is to be used for the puja. Invoke the river goddesses to be part of this water.

Invoke goddess: Lakshmi by reciting the Vedic mantras addressed to her. One can also recite the mantras mentioned in the Puranas or simply take some flowers in your hands, close your eyes, and think of goddess Lakshmi being showered with gold coins by two elephants standing on either side of Her and chant Her name. Then offer the flowers to the idol.

Place the idol of Lakshmi: Place the idol of Lakshmi in a plate and bathe it with water, panchamrit (a mixture of milk, curd, ghee or clarified butter, honey, and sugar) and then with water containing some gold ornament or a pearl. Wipe the idol clean and place it back on the kalash. Alternately, you can just sprinkle water and panchamrit on the idol with a flower.

Offerings: Offer sandal paste, saffron paste, perfume ( itr ), haldi, kumkum, abeer, and gulal to the goddess. Offer a garland of cotton beads to the goddess. Offer flowers, especially the marigold flowers and leaves of Bel (wood apple tree). Light an incense stick and dhoop. Make an offering of sweets, coconut, fruits, and tambul. Make an offering of puffed rice and batasha. Pour some puffed rice, batasha, coriander seeds, and cumin seeds over the idol. Safe where you keep money and jewelry; Worship this safe as a symbol of Lord Kuber.

Aarti: Finally, perform the aarti for goddess Lakshmi. Always remember that She abhors loud noise. So the aarti should be accompanied only by a small bell. Do not clap hands, as is the practice when performing aarti for other gods. A peaceful and sublime atmosphere should prevail during the diwali day pujan. Do not light crackers while the puja is on or immediately after it.

Saturday, 8 October 2011

Baba Balak Nath


Baba Balak Nath Sidhpeeth  is one of the most famous pilgrim- center of North Indian Hill State  Himachal Pradesh i.e. the God’s own land. The Ancient Cave and temple architecture graces the DeotSidh  in Hamirpur District. Lakhs of devotees from India and abroad visit this temple to reinforce their firm faith in the "Siddha Tradition". We attempt to put a few of these on our Website, along with the system of worship and spiritualism
1.      ‘Vishwa Deva’,
2.      ‘Sandhya Gana’,
3.      ‘Ashwani Kumar’,
4.      ‘Charna’,
5.      ‘Brahmavadi’,
6.      ‘Muni Gana’,
7.      ‘Vidya Dhara’,
8.      ‘Upsara’,
9.      ‘Kinnara’,
10.  ‘Pakshi’ and
11.  ‘Naga’.
5th Cantos of the ‘Valmiki Ramayana’ i.e. ‘Sundra Kanda’ relates to a conversation among ‘Siddhas’, ‘Charnas’and Maharishis.

Dances of ‘Siddhas’ , ‘Yaksha’ and ‘Gandharva’ in the ‘Vadrika Ashrama’ of Maharishi Prashra.

‘Patanjali’s Yog Sutra’ (Vibhuti Pada) says much about the "vision of ‘Siddhas’ by pious souls".

AmarKosha’ has many references of ‘Siddhas’ along ‘Vidyadhara’, ‘Upsara’, ‘Yaksha’, ‘Rakshasha’, ‘Pishacha’, ‘Guhiaka’ and ‘Bhuta’.

The originator of the ‘Sankhya Philosophy’ is believed to be a prominent Siddha. In ‘Srimad Bhagvad Gita’ Lord Krishna comments Himself as ‘Kapil Muni’ among ‘Siddhas’.

In ‘Ashvamedha Parva’ of ‘Mahabharata’ there is a reference of the discussion about the ‘Siddhas’. In Hindu belief, the ‘Siddhas’are known to live eternally and in invisible form. Legend has it that –‘Baba Balak Nath’ is a contemporary of 83 ‘Siddhas’of His times. ‘Siddha Tradition’ is based on ‘GURU SHISHYA PRAMPARA’ in Hindu Philosophy and ‘Baba Balak Nath’ is believed the disciple of ‘Rishi Dattariya’ whose lineage is traced to ‘Rishi Attri’.

The Sidhpeeth in the Historical context: "Nav Nathas" and "Chaurasi Siddhas" lived in the period 8th to 12th century A.D. In the 10th century A.D. during their routine wandering in the hills, they visited Bharmour in Chamba District of Himachal Pradesh during the reign of Shahil Varman. One of those—Charpat Nath – became "The Rajguru" of Kingdom. The 8th and 9th century A.D.Hindi Literature is enriched with the preaching of Sidhas likes Sarhapa, Sharhapa, Luipaetc. Baba’s contemporary Guru Gorakh Nath was also a prominent ascetic of those times.
 
In numberable Jana Srutis sing praises to the divinity of Baba Balak Nath

His birth references among "Chaurasi Sidhas": We narrate the Lord Shiva’s AmarKatha as the Jana Srutis in this context. Amar Katha is a Puranic story about the origin of Baba Ji. As told, a parrot nestling incidentally heard the Amar Katha being told by "Lord Shiva" to "Parvati". Lord Shiva’s ‘Trishul’ followed parrot nestling. Parrot nestling hid in the stomach of the wife of Rishi Vyasa and requested a promise from Lord Shiva for coming out. The promise was that when parrot nestling would come out in human form, it along with all the children born at that time might become eternal. Lord Shiva agreed for that and an extra-ordinary beautiful lad came out and vowed before Lord Shiva for blessing. This lad famed as ‘Sukdev Muni’, later on. Baba Balak Nath was one of the nine ‘Nathas’ and eighty four ‘Sidhas’ born at that time

Emanationof Lord Shankra in ‘Dvapara Yuga’

According to ‘Lok Srutis’ Baba Ji reincarnates Yuga and Yuga. He was known as ‘Skanda’in ‘Sat Yuga’, ‘Kaul’ in ‘TretaYuga’ and ‘Mahakaul’ and ‘Dvapra Yuga’. ‘Mahakaul’ of ‘Dvapra Yuga’, while going to ‘Kailasha Parvata’, met an old woman on the way. The old lady asked the mission and destination of Baba Ji. After knowing all that the old woman advised ‘Mahakaul’ to meditate on the bank of ‘Mansarovar’ and request ‘Mother Parvati’ (who would come there for bathing on special occasions), help him in reaching ‘Lord Shiva’.‘Mahakaul’ acted as told and became successful in his mission of reaching ‘Lord Shiva’ On seeing ‘Balayogi Mahakaul’, ‘Lord Shiva’ became very happy and blessed Baba Ji to be the ‘Sidha symbol’ of worshipping for devotee sin ‘Kaliyuga’ and his child like image to remain for ever.

Birthand Sanskritisation of Baba ji in Kalyuga

Baba Ji is said to have taken birth in Gujarat, Kathiabad. The name of His mother was Laxmi and that of his father Vishno Vaish. Here Baba Ji named as ‘Dev’ became lost in ‘Bhagvad devotion’. Seeing this, his parents wanted to marry him; but Baba Ji didn’t agree and left His home in search of ‘Parma Sidhi’ and came by ‘Swami Dattaitreya’ in Junagarh on Girnar hill - a historical place. It is here Baba ji learnt the basics of ‘Sidhas’ from Swami Dattaitreya and became ‘Sidha’ and came to be known as ‘Baba Balak Nath Ji’ There is mention of interaction of Swami Viveka Nanda with a ‘Pawan Hari Sidh Baba’ in Vivekananda literature published from ‘Advait Ashram, Calcutta’. As told that ‘Pawna Hari Baba’ learnt the science of ‘Sidhas’at Girnar hills. This has similarity with ‘Baba Balak Nath Ji’

Ron Geaves and Catherine Barnes

The regional cult of Baba Balak Nath arrived in Britain from the Jalandhar Doaba in the Punjab with migration from that region. Traditionally the followers of the deity have been drawn from both Hindu and Sikh communities in the Punjab and they demonstrate the informal and eclectic religious life associated with the region. The increasing attempts to place Baba Balak Nath at the heart of Sanatana Dharma provide a case study to illustrate the processes where by a rural 'folk' tradition seeks access to a perceived orthodoxy represented by several traditions within contemporary Hinduism. The dominant tradition associated with Baba Balaknath is that he is an incarnation of the son of Shiva usually known as Skanda or Kartak. Visual depictions of Baba Balaknath are very similar to South Indian visualizations of Murukan.

The article explores the regional folk cult of Baba Balaknath as it moves from its major center of worship in the Himalayan foothills of Himachal Pradesh down to the plains of the Punjab and then to on to several cities of the West Midlands in Britain. At each location the cult picks up practices and beliefs which are dominant in the religion of the new locality but retains the dominant motif of Skanda worship.

On its arrival in Britain, the priests of the cult have adopted a variety of strategies that legitimize the folk tradition and aid it in adapting to the new environment. These strategies fall into the category of universalisation or sanskritisation. Study of the transmigration of the worship of Baba Balaknath from the Punjab to Britain provides a unique insight into the transformation of a regional Hindu folk cult as it attempts to legitimize itself through moving closer to the 'Great Tradition' in Hinduism or adopting an eclectic universalism.